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home·artworks·Still Life
Still Life by Oleksa Novakivskyi

plate no. 2079

Still Life

Oleksa Novakivskyi, 1916

oilPost-Impressionismstill lifeflowersfruittablestill lifevasesfabric
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve nuanced hues and learn to apply visible brushstrokes to create texture and form. It also encourages observation of light and shadow on various objects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the flowers, fruit bowl, and individual fruits.

  2. step 02

    Block in the background fabric with broad strokes, using a mix of blues, purples, and whites.

  3. step 03

    Establish the main colors of the flowers, starting with the larger shapes and then adding details.

  4. step 04

    Paint the fruit bowl and individual fruits, paying attention to the variations in color and highlights.

  5. step 05

    Add details to the vases and the table, using short, broken brushstrokes.

  6. step 06

    Refine the details and adjust the colors as needed, ensuring a harmonious balance.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Allow to dry and varnish for protection.

color palette

primary · ultramarine blue · yellow ochre · alizarin crimson · titanium white

secondary · viridian green · burnt sienna · cadmium yellow

Achieve the various fruit colors by mixing yellows, reds, and greens with white for highlights and burnt sienna for shadows. Use ultramarine blue and white to create the cool tones in the background fabric.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in the fruit and flowers.
  • →Losing the loose, expressive brushwork.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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