apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still life
Still life by Oleg Holosiy

plate no. 1849

Still life

Oleg Holosiy, 1988

oilExpressionismstill lifestill lifevesselstableabstractbottles
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and layering techniques to create depth and texture. It also encourages exploration of limited color palettes and abstract representation.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the vessels on the canvas with a light pencil.

  2. step 02

    Apply a dark underpainting to the table area using a mix of black and brown.

  3. step 03

    Block in the general shapes of the vessels with dark browns and ochre, leaving some areas lighter for highlights.

  4. step 04

    Use thick, visible brushstrokes to build up the texture and form of the vessels.

  5. step 05

    Add highlights with lighter shades of ochre and white, focusing on areas where light hits the objects.

  6. step 06

    Create the background with a mix of muted browns, grays, and hints of pink, blending loosely.

  7. step 07

    Add drips and splatters of paint to enhance the expressive quality of the painting.

  8. step 08

    Refine details and adjust values to create depth and contrast.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · payne's gray · pink

Achieve the various brown tones by mixing burnt umber and raw umber with varying amounts of white. Use yellow ochre to create warm highlights and pink for subtle background variations.

techniques

  • ·impasto
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·dripping

common pitfalls

  • →Overblending, which can flatten the texture.
  • →Using too many colors, which can muddy the palette.
  • →Ignoring the importance of value contrast.
  • →Being too precise with the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·palette

Use a canvas with a medium to coarse texture to enhance the impasto effect. Consider using a palette knife for applying thick layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor