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Still life by Arturo Souto

plate no. 9242

Still life

Arturo Souto, 1957

oilExpressionismstill lifebottlesfruitstill lifetabledrapery
experienced study

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create mood and texture. It also encourages simplification of forms and capturing the essence of the subject rather than precise realism.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the bottles, fruit, and table.

  2. step 02

    Block in the main color areas for the background, table cloth, and objects using thin washes.

  3. step 03

    Start building up layers of paint, focusing on the darkest values first to establish the structure.

  4. step 04

    Add highlights and mid-tones, blending colors loosely to create a sense of depth and form.

  5. step 05

    Use thicker paint and bolder brushstrokes to define the edges and add texture.

  6. step 06

    Pay attention to the color relationships between the objects and the background, adjusting as needed.

  7. step 07

    Add final details and accents to enhance the overall composition.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to balance the colors and values.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · viridian green · titanium white

Mix various shades of blue and white for the background. Create browns by mixing umber and blue, then adjust with red or yellow. Use white to create lighter tones and soften edges.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and neglecting the overall composition.
  • →Not paying attention to the color relationships and creating a muddy or unbalanced palette.
  • →Being too timid with the brushstrokes and not capturing the expressive quality of the original.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for good paint adhesion and visible brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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