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Stilhet by Helene Schjerfbeck

plate no. 9191

Stilhet

Helene Schjerfbeck, 1907

oilExpressionismportraitportraitfigurewomandressfacedark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and creating depth with a limited color palette. It also provides practice in achieving soft, blended transitions and working with a dark background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a dark, neutral ground (e.g., burnt umber or black).

  2. step 02

    Lightly sketch the basic shapes of the head, shoulders, and dress, paying attention to proportions.

  3. step 03

    Block in the main areas of color: the skin tones, the blue dress, and the dark background.

  4. step 04

    Begin blending the skin tones, using subtle variations of light and shadow to define the facial features.

  5. step 05

    Work on the dress, adding highlights and shadows to create a sense of form and texture.

  6. step 06

    Refine the details of the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · cadmium red light · ivory black

Mix skin tones using white, raw umber, and a touch of red. Create the blue dress by mixing white and ultramarine blue. Use black to darken values and create shadows.

techniques

  • ·blending
  • ·scumbling
  • ·layering
  • ·value control
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Using too much detail and losing the overall simplicity of the painting.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A smooth canvas surface will be helpful for blending. Consider toning the canvas with a thin wash of burnt umber before starting.

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