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Stadtbild by Franz Sedlacek

plate no. 1380

Stadtbild

Franz Sedlacek, 1929

oilExpressionismgenre paintingbuildingsfigurestownnighthorsetrees
some experience helpful

This painting helps students practice creating a sense of depth using value and atmospheric perspective, as well as rendering simplified forms with subtle color variations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, mountain, and figures, focusing on composition.

  2. step 02

    Establish the dark background and sky with a thin wash of dark brown and black.

  3. step 03

    Block in the main areas of light on the buildings and figures with lighter tones of yellow and white.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using darker shades of brown and red.

  5. step 05

    Refine the shapes and values of the figures, paying attention to their gestures and interactions.

  6. step 06

    Paint the trees, using a mix of greens and browns to create texture and depth.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ivory black · sap green

Mix yellow ochre and white for the buildings; burnt umber and black for the dark areas; and red and white for the window details. Use thin glazes of burnt umber to create depth and shadow.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and bright.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·burnt umber
  • ·yellow ochre
  • ·titanium white
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, but oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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