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home·artworks·St Paul's from the South
St Paul's from the South by C. R. W. Nevinson

plate no. 3593

St Paul's from the South

C. R. W. Nevinson

oilExpressionismcityscapecityscapebuildingssmokeskyarchitecturerooftops
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and tonal variations. It also provides practice in capturing the essence of a scene with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of St. Paul's Cathedral and the main rooftops.

  2. step 02

    Establish the sky and distant atmosphere with a thin wash of diluted gray and white.

  3. step 03

    Block in the larger shapes of the buildings with mid-tone browns and grays, paying attention to the light direction.

  4. step 04

    Add darker values to define the shadows and create depth in the buildings.

  5. step 05

    Begin layering lighter values to suggest the smoke and haze, using broken brushstrokes.

  6. step 06

    Introduce subtle color variations in the rooftops and buildings, such as hints of blue or ochre.

  7. step 07

    Add details like chimneys and windows, keeping them loose and suggestive.

  8. step 08

    Refine the foreground elements, such as the railway tracks, with slightly more detail.

color palette

primary · raw umber · titanium white · payne's gray

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix various shades of gray by combining white with Payne's gray and small amounts of raw umber. Use yellow ochre and burnt sienna to warm up the browns and create subtle variations in the building colors. Add a touch of ultramarine blue to the grays for a cooler, atmospheric effect.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·tonal layering
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating too much contrast, which can flatten the atmospheric effect.
  • →Using colors that are too saturated, which can detract from the muted palette.
  • →Neglecting the importance of layering and blending to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the broken brushstroke effect. Consider using a fast-drying medium to speed up the layering process.

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oil painting for beginners →how to learn by studying the masters →
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