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St.Mark by Andrea Mantegna

plate no. 7821

St.Mark

Andrea Mantegna, 1450

oil, canvasEarly Renaissancereligious paintingfigurebookhalowindowfruitreligious
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow on the face. It also provides practice in depicting textures, such as fabric and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the figure, window, and book.

  2. step 02

    Establish the dark background and the overall light source.

  3. step 03

    Block in the main colors of the face, clothing, and book, focusing on accurate values.

  4. step 04

    Develop the details of the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Refine the details of the clothing, book, and window, adding texture and highlights.

  6. step 06

    Add the halo and the fruit, ensuring they are consistent with the overall lighting.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final details and highlights.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · yellow ochre · titanium white · gold

Mix various shades of brown and red by combining burnt umber, raw sienna, and cadmium red. Use ivory black to darken the colors and titanium white to lighten them. Achieve the golden tones by mixing yellow ochre with a touch of burnt sienna.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and volume.
  • →Inaccurate color mixing, resulting in muddy or unnatural colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a canvas with a smooth surface to facilitate blending.

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