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home·artworks·St. Jerome Penitent
St. Jerome Penitent by Antonello da Messina

plate no. 1896

St. Jerome Penitent

Antonello da Messina, 1455

mixed technique, woodEarly Renaissancereligious paintingfigurelandscaperockstreesclothingreligious
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, creating depth through atmospheric perspective, and understanding the use of warm and cool colors to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rocks, and trees.

  2. step 02

    Establish the overall value structure, blocking in the darks and lights.

  3. step 03

    Begin layering in local colors, starting with the background and working forward.

  4. step 04

    Develop the drapery of the red robe, paying attention to the folds and highlights.

  5. step 05

    Refine the details of the figure, including the face and hands.

  6. step 06

    Add details to the rocks and trees, creating texture and depth.

  7. step 07

    Glaze to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the earthy tones by mixing burnt sienna, raw umber, and white. Use ultramarine blue to cool down the shadows. Mix cadmium red with burnt sienna and white for the robe.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·drapery rendering
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Not establishing a strong value structure.
  • →Failing to create a sense of depth.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A toned canvas can help to establish the value structure.

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