apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Jerome in His Study
St. Jerome in His Study by Antonello da Messina

plate no. 4535

St. Jerome in His Study

Antonello da Messina, 1475

oil, woodEarly Renaissancereligious paintingfigureinteriorarchitecturebooksstudypeacock
experienced study

Recreating this painting will help students develop skills in rendering architectural perspective and creating a sense of depth through atmospheric perspective. It also offers practice in depicting realistic textures and details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing, paying close attention to perspective and proportions.

  2. step 02

    Block in the main areas of color, starting with the background and working forward.

  3. step 03

    Establish the light source and begin to build up the values, creating highlights and shadows.

  4. step 04

    Refine the details of the architecture, including the arches, columns, and windows.

  5. step 05

    Paint the figure of St. Jerome, paying attention to the folds of his robe and the expression on his face.

  6. step 06

    Add the details of the books, shelves, and other objects in the study.

  7. step 07

    Paint the animals, including the peacock and the partridge.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ochre · burnt umber · red

secondary · ivory black · ultramarine blue · yellow ochre

Achieve the warm tones by mixing ochre, burnt umber, and small amounts of red. Use ivory black and ultramarine blue to create the darker shadows and cool tones in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Incorrect perspective
  • →Overly saturated colors
  • →Lack of depth
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi