apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. George
St. George by Andrea Mantegna

plate no. 9903

St. George

Andrea Mantegna, 1467

canvas, temperaEarly Renaissancereligious paintingfigurearmorlandscapeskydragoncityscape
experienced study

Recreating this painting would help students develop skills in rendering metallic surfaces, creating atmospheric perspective, and understanding complex figure drawing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, landscape, and frame.

  2. step 02

    Establish the background sky and distant cityscape with thin washes of color.

  3. step 03

    Block in the basic shapes of the figure and dragon, paying attention to proportions and anatomy.

  4. step 04

    Begin layering colors on the armor, building up highlights and shadows to create a metallic effect.

  5. step 05

    Refine the details of the figure's face and clothing.

  6. step 06

    Add details to the landscape, including the road, buildings, and vegetation.

  7. step 07

    Paint the decorative wreath at the top.

  8. step 08

    Add final highlights and shadows to the entire painting to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve the metallic sheen by mixing ivory black and titanium white with small amounts of yellow ochre and raw umber. Create atmospheric perspective by adding white to the background colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering metal

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the details of the armor before establishing the overall form.
  • →Creating too much contrast in the background, which can flatten the image.
  • →Not paying attention to the subtle color variations in the metallic surfaces.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi