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home·artworks·St. Augustine
St. Augustine by Antonello da Messina

plate no. 8703

St. Augustine

Antonello da Messina, 1472

canvas, temperaEarly Renaissancereligious paintingfiguresaintbookrobereligiousbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering drapery, and creating a sense of depth using subtle value changes. It also provides practice in achieving a muted, historical color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the surrounding architectural element.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of neutral color.

  3. step 03

    Begin layering in the local colors, starting with the background and then moving to the figure's robe and book.

  4. step 04

    Carefully build up the values in the face and hands, paying attention to the subtle transitions between light and shadow.

  5. step 05

    Add details to the clothing and book, such as folds, creases, and textures.

  6. step 06

    Refine the edges of the figure and the architectural element, softening them where necessary to create a sense of atmosphere.

  7. step 07

    Add the small dark spots to mimic the painting's aged appearance.

  8. step 08

    Apply a final glaze of diluted color to unify the painting and enhance the overall mood.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · gold ochre · cadmium red light · yellow ochre

Achieve the muted tones by mixing earth pigments with white and small amounts of black. Use glazes of diluted color to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic gesso
  • ·Raw umber acrylic paint
  • ·Red ochre acrylic paint
  • ·Ivory black acrylic paint
  • ·Titanium white acrylic paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 1/4", 1/2")

optional

  • ·Retarder medium
  • ·Palette knife
  • ·Varnish

Use high-quality acrylic paints for best results. Consider using a canvas with a smooth texture to facilitate blending.

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