apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Squirrel and cherries
Squirrel and cherries by Qi Baishi

plate no. 6762

Squirrel and cherries

Qi Baishi, 1944

oilInk and wash paintinganimal paintingsquirrelcherriesanimalfruitfoliagecalligraphy
some experience helpful

Recreating this painting will help students develop brush control and learn to suggest form with minimal detail. It also provides practice in creating dynamic compositions with negative space.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the squirrel and cherries, paying attention to proportions and placement.

  2. step 02

    Mix a light wash of grey/brown ink for the initial layer of the squirrel's body.

  3. step 03

    Add darker washes to define the shadows and contours of the squirrel, building up depth gradually.

  4. step 04

    Use a fine brush to add details like the eyes, whiskers, and claws with crisp, dark lines.

  5. step 05

    Paint the cherries with a vibrant red, using a round brush to create smooth, even shapes.

  6. step 06

    Add stems to the cherries using a fine brush and dark ink.

  7. step 07

    Practice the calligraphy separately and then add it to the upper right corner.

  8. step 08

    Add the red seal with a small square brush.

color palette

primary · black ink · red

secondary · grey · brown

Varying the dilution of black ink with water creates different shades of grey. Mix a warm brown by adding a touch of red to the grey.

techniques

  • ·ink wash
  • ·dry brush
  • ·line drawing
  • ·calligraphy
  • ·negative space

common pitfalls

  • →Overworking the details
  • →Using too much water and losing control of the ink
  • →Making the composition too crowded
  • →Inaccurate proportions of the squirrel

materials

surface · Watercolor paper

required

  • ·Chinese calligraphy brushes (various sizes)
  • ·Black ink
  • ·Red ink
  • ·Watercolor paper
  • ·Water container
  • ·Palette or mixing dish
  • ·Felt mat or newspaper to protect the work surface

optional

  • ·Ink stone
  • ·Brush rest
  • ·Weights for paper

Use good quality watercolor paper that can handle multiple washes. Experiment with different types of brushes to find the ones that work best for you.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The branch of wisteria

The branch of wisteria

Qi Baishi

Untitled

Untitled

Shen Zhou

Yang Guifei Mounting a Horse

Yang Guifei Mounting a Horse

Qian Xuan

A Night Feast Over a Thousand Years

A Night Feast Over a Thousand Years

Wu Guanzhong

Conversation with the mountain

Conversation with the mountain

Shitao

The Melons

The Melons

Shitao

The Source in the hollow of the Rock

The Source in the hollow of the Rock

Shitao

Mists on the mountain

Mists on the mountain

Shitao