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Spring in Portugal by John Miller

plate no. 8414

Spring in Portugal

John Miller

oilContemporary Realismflower paintingflowersbuildingfoliagearchitectureskygarden
suitable for beginners

This painting is great for learning about color mixing and layering to create depth and atmosphere. Students will practice simplifying complex shapes and using expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building and flowers, focusing on proportions.

  2. step 02

    Block in the background with light blue and green washes.

  3. step 03

    Add the darker greens for the foliage, varying the shades.

  4. step 04

    Paint the building with white, adding subtle shadows with light blue and yellow.

  5. step 05

    Begin painting the flowers with light pink, adding touches of yellow and orange.

  6. step 06

    Refine the shapes of the flowers and foliage, adding details and highlights.

  7. step 07

    Add final touches to the building, such as the window and architectural details.

  8. step 08

    Review and adjust colors and values to create a cohesive and balanced painting.

color palette

primary · titanium white · phthalo blue · sap green · quinacridone magenta

secondary · yellow ochre · burnt sienna

Mix greens by combining phthalo blue and sap green. Achieve the pinks by mixing quinacridone magenta with titanium white. Use yellow ochre to warm up the whites and create highlights.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Using too much paint, resulting in a muddy appearance.
  • →Not paying attention to the values, making the painting appear flat.
  • →Failing to simplify the shapes, creating a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-sized canvas (e.g., 16x20 inches) for this painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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