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Spring by Edvard Munch

plate no. 0851

Spring

Edvard Munch, 1889

oil, canvasExpressionismgenre paintingfiguresinteriorroomwindowplantstable
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light variations and creating a sense of atmosphere using a limited color palette. It also provides practice in painting figures in an interior setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, window, and table.

  2. step 02

    Establish the overall color scheme with thin washes of color, paying attention to the light and shadow areas.

  3. step 03

    Begin building up the forms of the figures, starting with the larger shapes and gradually adding details.

  4. step 04

    Work on the window area, capturing the light filtering through the curtains and the plants on the windowsill.

  5. step 05

    Develop the details of the table and other objects in the room, using thicker paint and more visible brushstrokes.

  6. step 06

    Refine the details of the figures' faces and hands, paying attention to their expressions.

  7. step 07

    Adjust the overall color balance and value contrast to create a cohesive and atmospheric effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of blue. Use yellow ochre to warm up the browns and create highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much color and creating a painting that is too bright and saturated.
  • →Failing to capture the subtle light variations and creating a painting that is flat and lifeless.
  • →Ignoring the proportions of the figures and creating a painting that is anatomically incorrect.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned canvas to establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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