apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spieler
Spieler by Werner Berg

plate no. 1674

Spieler

Werner Berg

oilExpressionismportraitportraitfigureshatclothingshadows
some experience helpful

Recreating this painting will help students understand how to use color to create form and shadow, as well as how to simplify complex subjects into basic shapes. It also provides practice in using visible brushstrokes to add texture and energy to a painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the two figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the darkest values for the background and shadows.

  3. step 03

    Apply the mid-tones, blending them slightly into the dark areas to create a sense of depth.

  4. step 04

    Add the highlights, using brighter colors to define the forms and create contrast.

  5. step 05

    Refine the details of the faces and clothing, paying attention to the direction of the brushstrokes.

  6. step 06

    Add final touches and adjust colors as needed to achieve the desired effect.

  7. step 07

    Consider adding the signature in the upper right corner with a fine brush.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium orange · viridian green · titanium white

Mix blue and burnt sienna for the dark shadows. Use yellow ochre and white to create the lighter areas of the hat. Mix orange with white to create the highlights on the faces.

techniques

  • ·blocking in
  • ·color mixing
  • ·visible brushstrokes
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Failing to establish a strong value contrast, which can make the painting look flat.
  • →Getting lost in the details too early, before establishing the basic shapes and colors.
  • →Not paying attention to the direction of the brushstrokes, which can affect the overall texture and energy of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for better texture. Acrylics are faster drying, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor