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home·artworks·South-front
South-front by Albin Egger-Lienz

plate no. 9451

South-front

Albin Egger-Lienz, 1908

canvas, oilExpressionismlandscapelandscapeclifffiguresshadowsarchitecturewar
some experience helpful

Recreating this painting will help students understand how to use a limited palette to create depth and form, and how to suggest details with expressive brushstrokes rather than precise rendering. It also provides practice in capturing light and shadow on a textured surface.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cliff and figures, paying attention to the overall composition.

  2. step 02

    Establish the darkest shadows with a mix of burnt umber and a touch of blue.

  3. step 03

    Block in the mid-tones using a mix of ochre, burnt sienna, and white.

  4. step 04

    Add highlights with a lighter mix of yellow ochre and white, focusing on areas where light hits the cliff face.

  5. step 05

    Refine the shapes of the figures, using darker tones to define their forms.

  6. step 06

    Add details to the architecture, such as the stairs and wooden supports.

  7. step 07

    Soften edges and blend colors where necessary to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and texture.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · burnt umber · ultramarine blue

Use white to create tints of the ochre and sienna for highlights. Mix burnt umber and blue for deep shadows. Vary the ratios to achieve subtle color shifts.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A textured canvas can help to enhance the effect of the dry brush technique. Consider using a medium to thin the paint for smoother blending.

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oil painting for beginners →how to learn by studying the masters →
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