
plate no. 5434
George Mavroides, 1968
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression using simplified forms and visible brushstrokes. It also provides practice in mixing skin tones and understanding light and shadow on a face.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, hair, and hand, paying attention to proportions.
Block in the large areas of color for the background, hair, skin, and clothing using thin washes.
Begin to define the facial features, focusing on the shapes of the eyes, nose, and mouth.
Add shadows and highlights to create depth and volume in the face and hair.
Refine the details of the hand and clothing, using thicker paint and more visible brushstrokes.
Adjust the colors and values as needed to create a cohesive and expressive portrait.
Add final details and highlights to the eyes and other key areas.
Let dry and varnish if desired.
color palette
primary · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium red light · ultramarine blue
Mix skin tones by combining white, yellow ochre, raw umber, and a touch of red. Use blue to cool down the skin tones in shadow areas. Darken hair with raw umber and a touch of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 12x16 or 16x20 inches). Acrylics will dry faster, while oils will allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor