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home·artworks·Song in the Twilight
Song in the Twilight by Franz Sedlacek

plate no. 9060

Song in the Twilight

Franz Sedlacek, 1931

oilExpressionisminteriorinteriorbatpianoclockplantwindow
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering subtle gradations of light and shadow. It also provides practice in accurately depicting geometric forms and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the room and the placement of objects.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the colors of the walls, floor, and objects, focusing on subtle shifts in hue and value.

  4. step 04

    Paint the bat, paying attention to its form and the way it interacts with the light.

  5. step 05

    Add details to the clock, piano, and plant, using small brushes to create precise lines and textures.

  6. step 06

    Refine the lighting and shadows, adding highlights and deepening the dark areas to create depth and dimension.

  7. step 07

    Add the final details, such as the reflections on the clock face and the texture of the walls.

  8. step 08

    Let the painting dry completely and then apply a varnish to protect the surface.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre · titanium white

Achieve the subtle gradations in the walls and floor by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of cadmium red to create the red accents in the rug and the plant.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·linear perspective

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle shifts in hue and value that create depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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