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home·artworks·Soapdish
Soapdish by Luigi Russolo

plate no. 7893

Soapdish

Luigi Russolo, 1929

oilExpressionismnude painting (nu)figurenudegeometric shapesabstractportraitcubism
experienced study

Recreating this painting will help students develop skills in geometric abstraction, color mixing for skin tones, and understanding how to represent form through planes of color. It also encourages experimentation with composition and the interplay of positive and negative space.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic geometric structure of the composition, focusing on the overlapping diamond shapes.

  2. step 02

    Lightly sketch the figure within the geometric framework, paying attention to proportions and pose.

  3. step 03

    Block in the main color areas for the background shapes, starting with the darkest values.

  4. step 04

    Mix skin tone colors and apply them to the figure, defining the planes of the body with subtle value changes.

  5. step 05

    Add the green and purple accents around the figure to create depth and dimension.

  6. step 06

    Refine the details of the face and hair, paying attention to the expression.

  7. step 07

    Paint the circular elements with concentric rings of color, adding visual interest.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · ochre · ultramarine blue · burnt umber

secondary · viridian green · cadmium red · purple

Skin tones are achieved by mixing ochre, burnt umber, and a touch of red and white. Vary the proportions to create highlights and shadows. The green is a mix of blue and yellow, with a touch of black to darken.

techniques

  • ·planar analysis
  • ·color blocking
  • ·glazing
  • ·subtle blending
  • ·geometric abstraction

common pitfalls

  • →over-blending the skin tones
  • →losing the geometric structure
  • →inaccurate proportions of the figure
  • →muddying the colors
  • →ignoring the value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·selection of round and flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·graphite pencils

optional

  • ·painting easel
  • ·color wheel
  • ·ruler

Use a medium-grain canvas for better texture. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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