apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Slash and Burn
Slash and Burn by Leon Underwood

plate no. 8592

Slash and Burn

Leon Underwood, 1950

oilExpressionismsymbolic paintingfigureslandscapefiresmokefoliagepath
some experience helpful

Recreating this painting will help students develop skills in figure drawing, simplified form representation, and expressive brushwork to convey movement and atmosphere. It also encourages experimentation with a limited color palette to create a cohesive and impactful image.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the overall landscape.

  2. step 02

    Block in the main areas of color, using thin washes to establish the tonal values.

  3. step 03

    Start defining the figures with darker values, paying attention to the simplified forms and contours.

  4. step 04

    Develop the foliage and background elements, using expressive brushstrokes to create texture and depth.

  5. step 05

    Add highlights and details to the figures and landscape, focusing on the areas of light and shadow.

  6. step 06

    Refine the edges and contours, softening or sharpening them as needed to create a sense of depth and atmosphere.

  7. step 07

    Add the fire and smoke details, using a combination of warm and cool colors to create a sense of heat and movement.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · yellow ochre · titanium white · cadmium red light

Mix burnt umber and ultramarine blue for the dark tones of the figures and foliage. Use raw sienna and yellow ochre for the lighter areas of the landscape. Add white to create highlights and soften the colors.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·simplified form representation

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value contrast.
  • →Inaccurate figure proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor