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home·artworks·Skeletons Fighting Over a Pickled Herring
Skeletons Fighting Over a Pickled Herring by James Ensor

plate no. 4301

Skeletons Fighting Over a Pickled Herring

James Ensor, 1891

oilExpressionismsymbolic paintingskeletonsfoodskyfigureshat
some experience helpful

Recreating this painting will help students practice rendering bone structure and capturing the texture of visible brushstrokes. It also encourages exploration of color mixing to achieve subtle variations in skin tones and atmospheric effects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the skeletons and the herring.

  2. step 02

    Block in the background sky with broad strokes of pink, blue, and white.

  3. step 03

    Establish the base colors for the skeletons, focusing on the overall warm tones.

  4. step 04

    Begin adding shadows and highlights to define the bone structure, paying attention to the light source.

  5. step 05

    Paint the pickled herring, capturing its texture and color variations.

  6. step 06

    Add details to the skeletons, such as the teeth, eye sockets, and cracks in the bone.

  7. step 07

    Paint the hat on the right skeleton, using thick, textured brushstrokes.

  8. step 08

    Refine the background and add any final details.

color palette

primary · yellow ochre · burnt umber · titanium white · pink

secondary · ultramarine blue · cadmium red · black · sap green

Mix yellow ochre and burnt umber with white to create the base tones for the skeletons. Use small amounts of blue and red to create subtle variations in the sky. Mix black and green for the clothing.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color blending
  • ·chiaroscuro
  • ·impasto

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Not paying enough attention to the bone structure, leading to inaccurate rendering.
  • →Using too much detail too early in the painting process.
  • →Ignoring the subtle color variations in the skeletons and background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to enhance the texture of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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