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home·artworks·Sir Sacheverell Sitwell
Sir Sacheverell Sitwell by Graham Sutherland

plate no. 4856

Sir Sacheverell Sitwell

Graham Sutherland, 1973

oilExpressionismportraitportraitfiguremanclothingfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness through expressive brushstrokes. It also provides practice in creating a sense of depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin layering in the skin tones, focusing on capturing the subtle variations in color and value.

  4. step 04

    Develop the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the clothing and background, using loose brushstrokes and simplified shapes.

  6. step 06

    Refine the edges and contours of the figure to create a sense of depth and form.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the portrait.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive result.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, and umber, with small amounts of yellow ochre and blue for subtle variations. Use black and umber for dark areas, and white with a touch of yellow for highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color layering
  • ·expressive brushwork

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Ignoring the overall value structure and creating a flat, lifeless portrait.
  • →Getting lost in the details and losing the overall likeness.
  • →Not paying attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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