
plate no. 4856
Graham Sutherland, 1973
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness through expressive brushstrokes. It also provides practice in creating a sense of depth and form using subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and background.
Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.
Begin layering in the skin tones, focusing on capturing the subtle variations in color and value.
Develop the details of the face, paying close attention to the eyes, nose, and mouth.
Paint the clothing and background, using loose brushstrokes and simplified shapes.
Refine the edges and contours of the figure to create a sense of depth and form.
Add highlights and shadows to enhance the three-dimensionality of the portrait.
Make final adjustments to the colors and values to achieve a cohesive and expressive result.
color palette
primary · raw umber · titanium white · cadmium red light
secondary · ivory black · yellow ochre · ultramarine blue
Achieve skin tones by mixing white, red, and umber, with small amounts of yellow ochre and blue for subtle variations. Use black and umber for dark areas, and white with a touch of yellow for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor