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home·artworks·Shell of the Building in Winter
Shell of the Building in Winter by Werner Berg

plate no. 5738

Shell of the Building in Winter

Werner Berg, 1972

oilExpressionismlandscapebuildingssnowskywinterlandscapehouses
some experience helpful

This painting offers practice in depicting a winter scene with simple shapes and color variations in the snow. Students can learn to create depth using value and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, mountain, and snow drifts.

  2. step 02

    Block in the sky with a light pinkish-gray tone.

  3. step 03

    Paint the main building with a base coat of orange, adding darker shades for shadows and lighter shades for highlights.

  4. step 04

    Add the snow on the roof and around the buildings, using white mixed with blues and grays to create shadows and depth.

  5. step 05

    Paint the distant buildings and mountain with muted colors to create atmospheric perspective.

  6. step 06

    Add details to the buildings, such as windows and architectural features.

  7. step 07

    Refine the snow drifts, adding shadows and highlights to create texture and form.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · raw umber · cadmium orange · alizarin crimson

Mix white with small amounts of blue and umber for cool snow shadows. Create the building color by mixing burnt sienna and cadmium orange, adjusting with white for highlights and raw umber for shadows. Muted pinks and grays for the sky are achieved by mixing white, alizarin crimson, and ultramarine blue.

techniques

  • ·color mixing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·value study

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Not paying attention to the values of the snow, making it appear flat.
  • →Ignoring atmospheric perspective, making the distant objects appear too sharp.
  • →Overtly bright colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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