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home·artworks·Sheila Edmonds
Sheila Edmonds by Dora Boneva

plate no. 0662

Sheila Edmonds

Dora Boneva

oilExpressionismportraitportraitfigurebookchairwomanclothing
some experience helpful

This painting provides a good opportunity to practice portraiture and capturing likeness, as well as rendering fabric and skin tones with visible brushstrokes. Students can also learn about creating a sense of depth and form through subtle value changes and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and book.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and red.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and chair using simplified color mixtures.

  4. step 04

    Begin refining the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Develop the form of the figure and clothing by adding highlights and shadows, using visible brushstrokes to create texture.

  6. step 06

    Add details to the book and chair, such as the pages and floral pattern.

  7. step 07

    Refine the edges and details throughout the painting, adjusting colors and values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · burnt sienna · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · ivory black

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red. Use ultramarine blue and white to create the cool tones in the hair. Achieve the background color by mixing burnt sienna and cadmium red.

techniques

  • ·portraiture
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overblending the colors, resulting in a flat or muddy appearance.
  • →Ignoring the subtle value changes in the skin tones.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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