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Separated by Istvan Farkas

plate no. 2266

Separated

Istvan Farkas, 1941

oilExpressionismgenre paintingfigureslandscapeskyclothingbuildinghill
some experience helpful

Recreating this painting will help students understand how to create a mood using a limited color palette and how to suggest form with visible brushstrokes. It also provides practice in simplifying figures and landscapes to their essential shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the sky with a warm orange-red base, blending slightly to create subtle variations.

  3. step 03

    Establish the ground plane with a mix of browns and oranges, varying the tones to suggest depth.

  4. step 04

    Paint the figures using simplified shapes and a limited palette of greens, browns, and blacks.

  5. step 05

    Add details to the figures' clothing, such as the coat and hat, using visible brushstrokes to create texture.

  6. step 06

    Paint the distant building with a light color, keeping it simple and slightly blurred.

  7. step 07

    Refine the details of the figures' faces, using subtle highlights and shadows to suggest form.

  8. step 08

    Add final touches, such as small details in the sky and ground, to enhance the overall mood.

color palette

primary · burnt sienna · raw umber · sap green · ivory black

secondary · yellow ochre · titanium white

Mix burnt sienna and raw umber for the ground and shadows. Combine sap green and raw umber with a touch of black for the coat. Use white to lighten colors and create highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·limited palette
  • ·simplified forms
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the simplified, expressive quality.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a clear value structure, resulting in a flat or uninteresting composition.
  • →Not capturing the mood of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes #2, #6, #8)
  • ·flat brush (size #4)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the brushstrokes. If using acrylics, consider using a retarder to slow drying time.

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oil painting for beginners →how to learn by studying the masters →
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