
plate no. 1325
Paul Klee, 1922
Students will develop skills in geometric simplification of forms and understanding how to use flat color areas to create dimensional effects. This work teaches the balance between abstraction and representation.
technical profile
approach — 8 steps
Begin with a light pencil sketch of the basic head shape as a circle
Map out the geometric divisions of the face using simple lines
Block in the background with warm ochre and orange tones
Paint the face base color in pale yellow-green
Add the geometric facial features with flat color shapes
Define the eyes, nose, and mouth with precise geometric forms
Apply the hair area in darker earth tones
Refine edges and add subtle color transitions where forms meet
color palette
primary · cadmium yellow · burnt sienna · raw umber · titanium white
secondary · cadmium red · yellow ochre · mars black · viridian green
Mix warm flesh tones by combining yellow ochre with small amounts of cadmium red and white. Create the background warmth by blending burnt sienna with yellow ochre.
techniques
common pitfalls
surface · canvas board or stretched canvas
required
optional
Use a limited palette to maintain the clean, geometric aesthetic. Work with slightly stiff paint consistency for crisp edges.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor