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home·artworks·Self-Portraits (Harlequin and Pierrot) - with Vasiliy Shukhaev
Self-Portraits (Harlequin and Pierrot) - with Vasiliy Shukhaev by Alexandre Jacovleff

plate no. 5952

Self-Portraits (Harlequin and Pierrot) - with Vasiliy Shukhaev

Alexandre Jacovleff, 1914

oilNeoclassicismself-portraitfiguresharlequinpierrotcostumesinteriorportraits
some experience helpful

This painting provides practice in rendering figures with detailed costumes and understanding subtle value shifts to create form. Students will also learn to create a sense of depth and atmosphere in an interior setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the proportions and placement of the figures.

  2. step 02

    Establish the background with a dark, muted color, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, focusing on their overall forms and poses.

  4. step 04

    Begin adding details to the costumes, such as the triangles on the harlequin's suit and the ruffles on the pierrot's outfit.

  5. step 05

    Carefully render the faces, paying attention to the subtle value changes that create form and expression.

  6. step 06

    Add highlights and shadows to create a sense of volume and dimension.

  7. step 07

    Refine the details of the background and foreground, such as the checkered floor and the objects on the table.

  8. step 08

    Add final touches and adjustments to create a cohesive and polished painting.

color palette

primary · ivory black · burnt sienna · yellow ochre

secondary · raw umber · titanium white · cadmium red light

Mix white with small amounts of yellow ochre and burnt sienna to achieve the off-white tones of the Pierrot's costume. Use burnt sienna and cadmium red light for the harlequin's costume, adjusting the ratio for lighter and darker shades.

techniques

  • ·figure drawing
  • ·portraiture
  • ·glazing
  • ·value studies
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Creating harsh transitions between values.
  • →Failing to capture the subtle nuances of the faces.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits (if using oils)
  • ·Linseed oil (if using oils)

optional

  • ·Retarder medium (for acrylics)
  • ·Varnish
  • ·Easel

Use a canvas with a smooth surface for easier blending. Consider using a medium to slow the drying time of acrylics.

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oil painting for beginners →how to learn by studying the masters →
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