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home·artworks·Self-portrait with the wife
Self-portrait with the wife by Oleksa Novakivskyi

plate no. 3968

Self-portrait with the wife

Oleksa Novakivskyi

oilPost-Impressionismself-portraitportraitmanwomanbeardclothingheadscarf
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in creating depth through layering and brushstroke control.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures onto the canvas.

  2. step 02

    Establish the background with broad, loose strokes of muted colors.

  3. step 03

    Block in the main areas of color for the faces, hair, and clothing, focusing on accurate value relationships.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Define the facial features with careful attention to detail, using smaller brushes and more precise strokes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figures.

  7. step 07

    Refine the details of the clothing and background, adding texture and interest with varied brushstrokes.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · burnt umber · yellow ochre · ivory black

secondary · cadmium red · ultramarine blue · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt umber. Use ultramarine blue and burnt umber to create various shades of black for hair and beard. Muted greens are achieved by mixing yellow ochre, ultramarine blue and white.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·impasto

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions in the initial sketch.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, ivory black, cadmium red, ultramarine blue, viridian)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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