
plate no. 2058
Corneliu Baba, 1971
This painting is a great exercise in capturing form with limited color and bold brushstrokes. Students can learn to simplify complex shapes and focus on value relationships to create depth and volume.
technical profile
approach — 8 steps
Prepare a toned canvas with a neutral gray or brown.
Lightly sketch the basic shapes of the head, hat, and shoulders.
Block in the darkest areas of the background and clothing using a dark brown or black.
Establish the main light source and block in the highlights on the face and hat with lighter tones.
Begin blending and refining the shapes of the face, paying attention to the planes and angles.
Add details to the hat, such as the texture and folds.
Refine the edges and add final highlights and shadows to create a sense of depth.
Step back and assess the overall balance and make any necessary adjustments.
color palette
primary · raw umber · burnt sienna · titanium white
secondary · cadmium red · ivory black
Mix various shades of brown and gray by combining raw umber, burnt sienna, and white. Use small amounts of red to warm up the skin tones. Black is used sparingly to deepen the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-textured canvas is recommended to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor