
plate no. 4661
Helene Schjerfbeck, 1939
This painting offers a good opportunity to practice simplifying forms and capturing a likeness with limited color and visible brushstrokes. Students can learn to create depth and dimension using subtle value changes within a limited palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the face and shoulders.
Block in the background with a thin layer of pinkish-red.
Establish the main areas of light and shadow on the face using a light gray mixture.
Add darker tones to define the eyes, nose, and mouth.
Paint the clothing with a light gray-green, indicating folds and shadows.
Refine the shapes and edges of the facial features, paying attention to the artist's expressive style.
Add subtle color variations to the face and background to create depth.
Add final details and highlights to complete the portrait.
color palette
primary · titanium white · raw umber · cadmium red light
secondary · ivory black · yellow ochre
Mix white with small amounts of raw umber and red to achieve the various skin tones. Use black sparingly to darken shadows. Mix white with raw umber and a touch of yellow ochre for the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
A small canvas size (e.g., 9x12 or 11x14) is recommended for beginners. Use a medium that is suitable for oil painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor