
plate no. 3599
Émilie Charmy, 1950
This painting is a good exercise in capturing a likeness with expressive brushstrokes and understanding color relationships in skin tones. Students will learn to simplify forms and focus on essential details.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, hair, and shoulders.
Block in the background with a thin layer of muted gray-brown.
Establish the main skin tone using a mix of white, yellow ochre, and a touch of red.
Add shadows to the face using blues, greens, and purples mixed with the base skin tone.
Paint the hair with loose, expressive strokes of brown, yellow, and red.
Define the features (eyes, nose, mouth) with darker values and subtle color variations.
Add details like the earrings and clothing, keeping the brushwork loose.
Refine the overall composition and adjust values as needed.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · ultramarine blue · viridian green · ivory black
Skin tones are achieved by mixing white, yellow ochre, and red, then adjusting with small amounts of blue, green, or purple for shadows. Hair colors are created by blending browns, yellows, and reds.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.
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