
plate no. 8032
Émilie Charmy, 1912
This painting will help students practice portraiture, color mixing for skin tones, and creating depth with layering and brushwork. Students will also learn to simplify details and focus on capturing the essence of the subject.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Block in the main color areas: background, skin, dress, and hair.
Refine the skin tones, paying attention to subtle color variations.
Develop the details of the dress, including the collar and embellishments.
Add the album and refine the hand holding it.
Work on the facial features, focusing on capturing the likeness.
Adjust the values and colors to create depth and dimension.
Add final details and highlights.
color palette
primary · burnt sienna · ultramarine blue · titanium white · cadmium red
secondary · yellow ochre · ivory black
Mix skin tones using white, red, sienna, and a touch of blue. Create the dress color by mixing ultramarine blue with a touch of black and white. The background is a mix of burnt sienna and cadmium red.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches). A limited palette of colors will help you achieve a harmonious result.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor