
plate no. 3113
Émilie Charmy, 1915
Recreating this painting helps students practice loose brushwork and capturing the essence of a figure with minimal detail. It also encourages exploration of color mixing to achieve subtle skin tones and fabric textures.
technical profile
approach — 8 steps
Sketch the basic figure proportions and pose lightly on the canvas.
Block in the background with a thin layer of red-brown paint.
Establish the main light and shadow areas on the figure with diluted washes of color.
Begin building up the figure's form with thicker paint, focusing on the planes of the face and body.
Add details to the dress, paying attention to the folds and highlights.
Define the stockings and shoes with dark, contrasting tones.
Refine the facial features and hair, using small brushstrokes.
Add final highlights and shadows to enhance the overall form and create a sense of depth.
color palette
primary · titanium white · burnt sienna · ivory black
secondary · cadmium red · ultramarine blue · yellow ochre
Mix white with small amounts of burnt sienna, yellow ochre, and ultramarine blue to create skin tones. Use varying amounts of black and blue to create the stockings. Mix red and burnt sienna for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to simplify the initial blocking-in process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor