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home·artworks·Self-Portrait (PH-382)
Self-Portrait (PH-382) by Clyfford Still

plate no. 3372

Self-Portrait (PH-382)

Clyfford Still, 1940

oilExpressionismself-portraitportraitfigureartistself-portraitclothingcanvas
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating depth through value and color. It also provides practice in loose, expressive brushwork and color mixing for skin tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with thin washes of color, focusing on the light and shadow patterns.

  3. step 03

    Begin building up the skin tones, mixing a range of warm and cool colors.

  4. step 04

    Define the features of the face, paying close attention to the subtle variations in value and color.

  5. step 05

    Paint the dark clothing, using thicker paint and bolder brushstrokes.

  6. step 06

    Develop the background with loose, gestural strokes, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to the face and hands.

  8. step 08

    Refine the edges and blend areas as needed to achieve a cohesive and expressive portrait.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red

Achieve skin tones by mixing white, burnt sienna, and small amounts of red, yellow ochre, and blue. Use raw umber and white for the darker areas of the clothing and background. Add ultramarine blue to raw umber for deeper shadows.

techniques

  • ·portraiture
  • ·color mixing
  • ·expressive brushwork
  • ·value study
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to capture the subtle variations in skin tone, resulting in a flat or lifeless portrait.
  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Not establishing a strong value structure early on, making it difficult to create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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