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home·artworks·Self-Portrait in Woodcut
Self-Portrait in Woodcut by Konrad Zuse

plate no. 4170

Self-Portrait in Woodcut

Konrad Zuse, 1946

woodcutExpressionismself-portraitportraitmanglassesfacehairself-portrait
some experience helpful

This painting is a great exercise in understanding value relationships and creating form with line work. Students will learn to simplify complex shapes into basic forms and use hatching and cross-hatching to create depth and shadow.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
5
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the portrait's basic shapes and proportions.

  2. step 02

    Identify the areas of darkest value and begin filling them in with solid black.

  3. step 03

    Use hatching and cross-hatching techniques to build up the mid-tones, varying the density of lines to create different values.

  4. step 04

    Pay close attention to the direction of the lines, using them to follow the contours of the face and create a sense of form.

  5. step 05

    Add details such as the glasses and hair, using fine lines to capture their texture.

  6. step 06

    Refine the values and details, adding more layers of hatching and cross-hatching as needed.

  7. step 07

    Check the overall balance of values and make any necessary adjustments.

  8. step 08

    Add the signature in the bottom right corner.

color palette

primary · black · white

secondary ·

This image uses only black and white, so there is no color mixing involved. The illusion of different values is created through the density and spacing of lines.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·value mapping
  • ·contour drawing

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Making the lines too uniform, resulting in a flat, lifeless image.
  • →Overworking the image, resulting in a muddy or cluttered appearance.
  • →Ignoring the direction of the lines, which can flatten the form.

materials

surface · smooth white paper

required

  • ·white paper
  • ·pencil
  • ·eraser
  • ·black ink
  • ·fine liner pens (various sizes)
  • ·ruler
  • ·tracing paper

optional

  • ·light box
  • ·magnifying glass

Using a variety of fine liner pens will allow for greater control over line weight and value.

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