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home·artworks·Self-Portrait in Blue Jacket
Self-Portrait in Blue Jacket by Max Beckmann

plate no. 2951

Self-Portrait in Blue Jacket

Max Beckmann, 1950

oilExpressionismself-portraitfigureportraitmanjacketcigarettechair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using expressive brushstrokes to convey emotion. It also provides practice in color mixing and understanding how to use contrasting colors to create visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and composition.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the jacket, background, and skin tones.

  3. step 03

    Refine the facial features, paying attention to the placement of the eyes, nose, and mouth.

  4. step 04

    Add the details of the clothing, such as the collar, tie, and lapels.

  5. step 05

    Develop the background, using loose brushstrokes to create depth and texture.

  6. step 06

    Add the cigarette and hand, paying attention to the foreshortening and proportions.

  7. step 07

    Refine the edges and details, using darker and lighter values to create contrast and definition.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · cadmium orange

secondary · viridian green · ivory black

Mix skin tones using burnt umber, white, and a touch of orange. Create the blue jacket by mixing ultramarine blue with a touch of black for shadows and white for highlights. The background is a mix of burnt umber and black.

techniques

  • ·Blocking in
  • ·Impasto
  • ·Color mixing
  • ·Expressive brushstrokes
  • ·Scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to create enough contrast between the light and dark areas.
  • →Not paying attention to the subtle variations in color within each area.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ultramarine blue, burnt umber, cadmium orange, viridian green, ivory black, titanium white)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use good quality oil paints for best results. Consider using a medium to speed up drying time.

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