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home·artworks·Self Portrait in a Paris Bath House
Self Portrait in a Paris Bath House by Beauford Delaney

plate no. 5736

Self Portrait in a Paris Bath House

Beauford Delaney, 1971

oilExpressionismself-portraitfigureportraitinteriorclothingchairabstract background
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a mood. It also provides practice in depicting the human form with simplified shapes and bold outlines.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, chair, and background elements using light pencil lines.

  2. step 02

    Block in the large areas of color, starting with the background using a thin wash of yellow and ochre.

  3. step 03

    Define the figure's skin tone using a mix of black, brown, and touches of red and white.

  4. step 04

    Add the red and green details of the clothing and accessories, paying attention to the brushstroke direction.

  5. step 05

    Build up the texture in the background by layering different shades of yellow, ochre, and brown with visible brushstrokes.

  6. step 06

    Refine the facial features and add highlights to create depth and dimension.

  7. step 07

    Add final details and adjust colors as needed to achieve the desired expressive effect.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · yellow ochre · black · red

secondary · green · burnt sienna · titanium white

Achieve the background colors by mixing yellow ochre with white and small amounts of burnt sienna. The figure's skin tone is a mix of black with touches of red and white for highlights.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·scumbling
  • ·layering

common pitfalls

  • →Overblending the colors, which can flatten the image.
  • →Losing the energy and spontaneity of the brushstrokes.
  • →Getting bogged down in details and neglecting the overall composition.
  • →Not allowing sufficient drying time between layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on paint type)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use heavy body paints for impasto effect. Consider using a textured canvas to enhance the brushwork.

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