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home·artworks·Self-Portrait I
Self-Portrait I by Francis Bacon

plate no. 6470

Self-Portrait I

Francis Bacon, 1972

oilExpressionismself-portraitportraitfacedark backgroundexpressionismself-portrait
experienced study

Recreating this painting will help students develop skills in expressive brushwork and capturing mood through color and value. It emphasizes the importance of understanding facial structure while allowing for abstract interpretation.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
5
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a dark underpainting (e.g., burnt umber or black).

  2. step 02

    Lightly sketch the basic shapes of the face, focusing on proportions.

  3. step 03

    Block in the main areas of light and shadow using thin washes of color.

  4. step 04

    Begin building up layers of paint, using loose, expressive brushstrokes.

  5. step 05

    Focus on capturing the highlights and shadows to define the form.

  6. step 06

    Use contrasting colors to create visual interest and depth.

  7. step 07

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Mix white with small amounts of blue and umber for cool highlights. Use red and umber for warm shadows. Black is used sparingly to deepen shadows.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color layering
  • ·expressive brushwork
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the loose, expressive feel.
  • →Using too much black, which can flatten the image.
  • →Failing to capture the correct proportions of the face.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas will help establish the dark background and create a cohesive feel. Use high-quality oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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