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home·artworks·Self Portrait
Self Portrait by Yiannis Moralis

plate no. 6431

Self Portrait

Yiannis Moralis, 1938

oilExpressionismself-portraitportraitfiguremanhatbookshelfclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth using a limited color palette. It also provides practice in layering and blending paint to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and features.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's clothing and skin.

  3. step 03

    Begin to refine the shapes and values of the face, focusing on the highlights and shadows to create form.

  4. step 04

    Add details to the clothing and hat, paying attention to the texture and folds.

  5. step 05

    Work on the background details, such as the bookshelf and the subtle variations in tone.

  6. step 06

    Refine the overall composition, adjusting values and adding highlights to create a sense of depth.

  7. step 07

    Add final details and touches to the face, such as the eyes, nose, and mouth.

  8. step 08

    Let the painting dry and add a varnish to protect the surface.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix ivory black and raw umber with varying amounts of titanium white to create the range of grays and browns needed for the skin tones and clothing. Use yellow ochre and burnt sienna sparingly to add warmth to the skin and background.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·blending
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal variations.
  • →Not paying enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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