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home·artworks·Self-Portrait
Self-Portrait by Vilho Lampi

plate no. 3403

Self-Portrait

Vilho Lampi, 1931

oilExpressionismself-portraitportraitfiguremancapfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and using visible brushstrokes to create form and texture. It also encourages observation of light and shadow to define shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, cap, and shoulders, paying attention to proportions.

  2. step 02

    Block in the large areas of color: the background, the skin tones, the cap, and the clothing.

  3. step 03

    Establish the darkest shadows and the brightest highlights to define the form.

  4. step 04

    Begin to refine the skin tones by layering and blending colors, focusing on the planes of the face.

  5. step 05

    Add details to the eyes, nose, and mouth, using small brushstrokes.

  6. step 06

    Define the cap and clothing with visible brushstrokes, following the direction of the forms.

  7. step 07

    Adjust the background to create depth and contrast.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · black · raw umber · cadmium yellow

Achieve skin tones by mixing burnt sienna, yellow ochre, and white, adjusting proportions for highlights and shadows. Use ultramarine blue and black to create the darker areas of the cap and clothing. Mix yellow ochre and white for the light background.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·dry brush
  • ·chiaroscuro

common pitfalls

  • →Over-blending, which can result in a muddy appearance.
  • →Ignoring the underlying structure of the face, leading to inaccurate proportions.
  • →Using too much detail too early, which can make the painting look stiff.
  • →Not paying attention to the direction of the brushstrokes, which can flatten the form.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ultramarine blue, burnt sienna, yellow ochre, titanium white, black, raw umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a limited palette to simplify color mixing and create a harmonious effect. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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