apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self Portrait
Self Portrait by Victor Zaretsky

plate no. 7906

Self Portrait

Victor Zaretsky, 1980

oilExpressionismportraitportraitfigurehatscarfmanface
some experience helpful

This painting helps students develop skills in expressive brushwork and color mixing to create form and mood. Recreating this will improve your ability to capture likeness and expression with loose, painterly strokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, hat, and scarf with light pencil lines.

  2. step 02

    Establish the overall value structure with a thin wash of a neutral color like burnt umber.

  3. step 03

    Block in the main color areas for the skin, hat, scarf, and background using broad strokes.

  4. step 04

    Begin to refine the shapes and values of the face, paying attention to the light and shadow.

  5. step 05

    Add details to the hat and scarf, using thicker paint and more visible brushstrokes.

  6. step 06

    Introduce pops of color and highlights to create visual interest.

  7. step 07

    Refine the background with expressive brushstrokes, blending some areas and leaving others more textured.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and expressive portrait.

color palette

primary · ultramarine blue · burnt sienna · titanium white · cadmium red

secondary · yellow ochre · alizarin crimson · viridian green

Mix various shades of skin tones using burnt sienna, white, and small amounts of red, blue, and yellow. Achieve the hat's color by mixing ultramarine blue with burnt umber and white. Create the scarf's colors by blending blues, greens, reds, and purples.

techniques

  • ·broken color
  • ·impasto
  • ·alla prima
  • ·scumbling
  • ·color temperature

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying enough attention to the value structure.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor