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Self-portrait by Rafael Zabaleta

plate no. 8014

Self-portrait

Rafael Zabaleta, 1956

oil, canvasExpressionismself-portraitportraitself-portraitfigurebackground paintingjacketshirt
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and contrasting values. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the portrait, including the head, shoulders, and background elements.

  2. step 02

    Block in the main color areas for the skin, jacket, shirt, and background, using thin washes of color.

  3. step 03

    Develop the skin tones by layering different shades of orange, yellow, and brown, paying attention to the light and shadow areas.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, using darker values to create depth and dimension.

  5. step 05

    Add details to the jacket and shirt, such as the folds and wrinkles, using a combination of light and shadow.

  6. step 06

    Paint the background painting, focusing on the simplified shapes and colors of the landscape.

  7. step 07

    Refine the overall composition by adjusting the values and colors as needed, and adding any final details.

  8. step 08

    Add the artist's signature in the lower left corner.

color palette

primary · orange · yellow ochre · burnt umber · titanium white

secondary · olive green · cerulean blue · cadmium red

Mix skin tones by blending orange, yellow ochre, burnt umber, and white. Achieve the jacket color by mixing yellow ochre with a touch of burnt umber and olive green. Use white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →over-blending skin tones
  • →getting proportions wrong in the initial sketch
  • →muddying colors by overmixing
  • →ignoring the value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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