
plate no. 8273
Milton Avery, 1947
Recreating this painting will help students practice simplified figure drawing, color blocking, and creating depth through layering and color temperature. It also encourages experimentation with visible brushstrokes to add texture and interest.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background elements.
Block in the large areas of color using simplified shapes, focusing on the overall composition.
Mix the main colors for the figure's clothing, skin tones, and background.
Apply the base colors with visible brushstrokes, allowing some of the underpainting to show through.
Add shadows and highlights to define the form of the figure and create depth.
Develop the paintings in the background, using simplified shapes and colors.
Refine the details of the face and hands, paying attention to the artist's expression.
Add final touches and adjustments to balance the composition and enhance the overall effect.
color palette
primary · cobalt blue · burnt sienna · titanium white
secondary · cadmium red · yellow ochre · ultramarine blue
Mix various shades of blue by adding white or ultramarine. Achieve skin tones by mixing burnt sienna, white, and a touch of red or yellow. Muted pinks are created by mixing white, red, and a touch of brown or blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for visible brushstrokes. Acrylics will dry faster, while oils will allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor