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home·artworks·Self Portrait
Self Portrait by Émilie Charmy

plate no. 6430

Self Portrait

Émilie Charmy, 1960

oilExpressionismself-portraitportraitfigurefacehairself-portrait
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing a likeness with simplified forms. It also provides practice in using a limited color palette to create depth and mood.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hand.

  2. step 02

    Block in the background with dark greens and blues, leaving areas for the figure.

  3. step 03

    Apply the base colors for the skin tones (whites, pinks, and browns) using loose brushstrokes.

  4. step 04

    Add the orange and red tones for the clothing, blending them into the surrounding colors.

  5. step 05

    Define the facial features with darker values, paying attention to the placement of the eyes, nose, and mouth.

  6. step 06

    Use thicker paint and bolder brushstrokes to add highlights and texture to the face and hair.

  7. step 07

    Refine the edges and details, softening some areas and sharpening others to create depth.

  8. step 08

    Add final touches and adjust the overall balance of the painting.

color palette

primary · Prussian blue · Burnt umber · Titanium white · Cadmium orange

secondary · Alizarin crimson · Sap green

Mix white with burnt umber and a touch of alizarin crimson for skin tones. Use Prussian blue and burnt umber to create the dark background. Add cadmium orange to burnt umber for the clothing.

techniques

  • ·Impasto
  • ·Broken color
  • ·Scumbling
  • ·Dry brushing
  • ·Color temperature

common pitfalls

  • →Overworking the painting and losing the expressive brushstrokes.
  • →Getting the proportions wrong in the initial sketch.
  • →Using too much detail and not enough simplification.
  • →Creating muddy colors by over-mixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Prussian blue, Burnt umber, Titanium white, Cadmium orange, Alizarin crimson)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Retouch varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to focus on color mixing.

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