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home·artworks·Self-Portrait
Self-Portrait by Mario Eloy

plate no. 2080

Self-Portrait

Mario Eloy, 1928

oilExpressionismself-portraitportraitfiguremanfaceshirtself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. Students will also learn to simplify forms and focus on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, neck, and shoulders.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Establish the main light and shadow areas on the face using a limited palette of earth tones.

  4. step 04

    Mix and apply the base color for the shirt, paying attention to the folds and shadows.

  5. step 05

    Refine the facial features, focusing on the eyes, nose, and mouth.

  6. step 06

    Add highlights to the face and shirt to create depth and dimension.

  7. step 07

    Use short, visible brushstrokes to build up texture and detail.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red

Skin tones are achieved by mixing burnt umber, raw sienna, titanium white, and small amounts of cadmium red. The shirt color is created by mixing ultramarine blue with burnt umber and a touch of yellow ochre.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portrait sketching

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless portrait.
  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Ignoring the importance of light and shadow.
  • →Using too many colors, creating a muddy and confusing palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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