apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self Portrait
Self Portrait by Maggie Laubser

plate no. 4386

Self Portrait

Maggie Laubser, 1928

oilExpressionismself-portraitportraitfigurewomanfacehairself-portrait
some experience helpful

Recreating this painting will help students understand color temperature and how to use bold brushstrokes to define form. It also provides practice in simplifying complex shapes into basic planes of color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the face and shoulders.

  2. step 02

    Block in the background with a thin layer of blue.

  3. step 03

    Establish the main areas of light and shadow using simplified color blocks.

  4. step 04

    Mix and apply the skin tones, focusing on the temperature variations in light and shadow.

  5. step 05

    Paint the hair with bold, directional strokes, capturing the highlights and shadows.

  6. step 06

    Add details to the eyes, nose, and mouth, keeping the overall style expressive.

  7. step 07

    Define the collar and add the orange detail.

  8. step 08

    Refine the edges and adjust the colors as needed.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · violet

Mix various shades of skin tones by combining white, red, yellow ochre, and a touch of blue or umber for shadows. Use ultramarine blue and white for the background, adding small amounts of other colors to create subtle variations.

techniques

  • ·Blocking in
  • ·Color temperature
  • ·Expressive brushstrokes
  • ·Simplifying forms
  • ·Color mixing

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too saturated.
  • →Not paying attention to the temperature variations in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ultramarine blue, burnt umber, titanium white, cadmium red, yellow ochre)
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use good quality oil paints for best results. A medium-textured canvas will help to create a more expressive surface.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor