
plate no. 6418
Lois Mailou Jones, 1940
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and brushwork. Students will also learn to depict textures and patterns in clothing.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background elements.
Establish the main light and shadow areas with a thin wash of color.
Begin layering in skin tones, focusing on subtle variations in color and value.
Paint the clothing, paying attention to the folds and highlights.
Add details to the face, such as the eyes, nose, and mouth.
Define the background elements, including the sculptures and artwork.
Refine the brushwork and add final details to create texture and depth.
Add final highlights and shadows to enhance the overall composition.
color palette
primary · burnt sienna · ultramarine blue · cadmium red · yellow ochre
secondary · raw umber · titanium white · viridian
Achieve skin tones by mixing burnt sienna, yellow ochre, and cadmium red, adjusting with white and blue for highlights and shadows. Mix blues and whites for the jacket, and reds with browns for the shirt.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor