
plate no. 1302
Lajos Tihanyi, 1920
Recreating this painting will help students develop skills in portraiture, color mixing, and capturing light and shadow to create form. It also provides practice in depicting textures and rendering clothing.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head, hands, and the paper.
Block in the main areas of color using thin washes, establishing the overall tonal values.
Begin to build up the form of the face, paying attention to the highlights and shadows.
Develop the details of the clothing, using thicker paint and visible brushstrokes.
Work on the hands, carefully observing the shapes and textures.
Refine the background, creating a sense of depth and atmosphere.
Add final details and highlights to the face and clothing.
Check the overall composition and make any necessary adjustments.
color palette
primary · olive green · raw umber · titanium white · yellow ochre
secondary · ultramarine blue · burnt sienna
Mix greens by combining ultramarine blue and yellow ochre, then adjust with white or raw umber. Achieve skin tones by blending white, yellow ochre, and a touch of burnt sienna.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor