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home·artworks·Self-portrait
Self-portrait by Lajos Gulacsy

plate no. 5363

Self-portrait

Lajos Gulacsy, 1903

oilExpressionismself-portraitportraitfigurelandscapebuildingsskyself-portrait
some experience helpful

Recreating this painting will help students develop skills in limited palette painting and capturing likeness with expressive brushstrokes. It also provides practice in creating a sense of depth with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and background elements (buildings, sky).

  2. step 02

    Block in the main areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Start building up the darker values in the hair, clothing, and shadows on the face.

  4. step 04

    Add mid-tones to create form and volume, blending edges where necessary.

  5. step 05

    Introduce lighter values to highlight the face and other areas of interest.

  6. step 06

    Refine the details of the face, paying attention to the shapes of the eyes, nose, and mouth.

  7. step 07

    Add texture and interest to the background with expressive brushstrokes.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and balanced composition.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Mix burnt umber and raw sienna for the warm browns. Use titanium white to lighten the colors and create highlights. Add small amounts of ivory black to darken the shadows.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·blending
  • ·value studies
  • ·limited palette

common pitfalls

  • →Overworking the details too early.
  • →Using too much white, resulting in chalky colors.
  • →Ignoring the underlying value structure.
  • →Not capturing the likeness of the subject.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a toned canvas to speed up the painting process.

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