
plate no. 0706
John Brack, 1955
Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones through layering and blending. It also provides practice in depicting different textures and materials, such as tile and metal.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background elements.
Establish the overall color scheme by applying a thin wash of diluted paint.
Begin layering in the mid-tones and shadows on the face and body.
Carefully blend the edges of the shadows to create smooth transitions.
Add highlights to the face, hand, and showerhead to create depth and dimension.
Define the details of the facial features, such as the eyes, nose, and mouth.
Paint the background tiles, paying attention to the subtle variations in color and tone.
Add final details, such as the hair, clothing, and razor.
color palette
primary · yellow ochre · raw umber · titanium white · ivory black
secondary · viridian · burnt sienna
Mix yellow ochre and white for the background tiles, adding small amounts of raw umber for shadows. Create skin tones by blending white, yellow ochre, raw umber, and a touch of burnt sienna. Use viridian and raw umber for the green jacket.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylic paints will dry faster, while oil paints will allow for more blending time.
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